Journal of Black Mountain College Studies Volume 4 Home Journal by Volume Volume 14 Volume 13 Volume 12 Volume 11 Volume 10 Volume 9 Volume 8 Volume 7 Volume 6 Volume 5 Volume 4 Volume 3 Volume 2 Volume 1 About JBMCS For Contributors Volume 4: John Cage Table of Contents Rand Brandes & John Cheek, Guest Editors Blake Hobby, Executive EditorBrian Butler, Associate Editor April 2013 Introduction by Rand Brandes & John Cheek Blue With China Ink—Homage to John Cage by Robert Motherwell The Asian Factor in John Cage’s Aesthetics: An Introduction with a Previously Unpublished Interview with Cage from 1976 by Holly Martin Cage Asleep; Sonnet Cage; Irwin Kremen Mesostic: A Chance Remark by John Cage; Grabowski: Cage and Cunningham at Duke; Cage in John and Yoko’s Kitchen; Elegy Cage: Driving to Ma Peak’s for a Beer by Joseph Bathanti Leave Mine, with Introduction by Ashley Paul Determining Indeterminacy: The Legacy of John Cage by Dean Wilcox Owenvarragh: A Belfast Circus on The Star Factory by Úna Monaghan & Martin Dowling Blue with China Ink: Robert Motherwell’s Unlikely Homage to John Cage by Daniel Haxall Mesosticage by Daniel Scandurra Two Cages, One College: Cage at Black Mountain College, 1948 and 1952 by David Patterson Making a Difference: Ramifications of Unity and Diversity, Repetition and Variation, in the Work of John Cage by Steve Lansford Imaginal Landscapes by Steve Lansford Anarchism – Buddhism – Contingency. Empty Words and (a)political art of John Cage by Jerzy Luty Multimedia Performance for BMC International Conference 2011 by Damian Catera Perilous Nights and Shaggy Nags: The Influence of Joseph Campbell on John Cage by Edward Crooks Remembrance of Interviews Past: Cage (and Me) by Lili Corbus John Cage at Black Mountain: A Preliminary Thinking by Mary Emma Harris Previous Volume Next Volume Search for: