FILM SCREENINGS

January 10, 2019 {120 College Street} Jacob Lawrence: The Glory of Expression. Narrated by Ossie Davis, this 28 minute film traces the life and work of Jacob Lawrence, emphasizing the narratives in his paintings and his studio process. Written and directed by David Irving. We’ll also screen Uncle Yanco, a film about artist Jean Varda, BMC faculty during the Summer session of 1946 and Martha Colburn’s film commissioned for the exhibition Between Form and Content, reflecting on the work of Jacob Lawrence. With post-film discussion led by Julie Levin Caro.

PERSPECTIVES: DARIN WATERS

January 9, 2019 {120 College Street} Explore our Jacob Lawrence exhibition along with an artist, historian, or scholar who will give perspective and context to the work from their particular point of view. Guest Speaker: Dr. Darin J. Waters is the Executive Director of the Office of Community Engagement, and an Associate Professor of History at UNC Asheville, co-host of The Waters and Harvey Show, and scholar of African American history in Asheville.

PERSPECTIVES: CLARISSA SLIGH

December 12, 2018 {120 College} Explore our Jacob Lawrence exhibition along with an artist, historian, or scholar who will give perspective and context to the work from their particular point of view. Guest Speaker: Clarissa Sligh, photographer and book artist.

JOSEF ALBERS: MAKING AND LEARNING (SOLD OUT)

December 1, 2018 {120 College} Fritz Horstman, Education Coordinator at The Josef and Anni Albers Foundation leads this workshop exploring and expanding upon Josef Albers’s classroom exercises from the Bauhaus, BMC, and Yale. In his time teaching at Black Mountain, Jacob Lawrence sat in on Albers’s famous color course, and later recalled how important it was to his own painting. In the workshop we will try Albers’s color experiments and also investigate paper folding, design studies, and more.

CONVERSATION WITH BARBARA EARL THOMAS

November 15, 2018 {120 College Street} Curator and art historian Julie Levin Caro leads a conversation with Barbara Earl Thomas, granddaughter of southern sharecroppers, artist, and former student of Jacob Lawrence. From 2008-2013 Thomas served as executive director of the Northwest African American Museum in Seattle, WA.

PERSPECTIVES: BARBARA EARL THOMAS

November 14, 2018 {120 College Street} Explore our Jacob Lawrence exhibition along with an artist, historian, or scholar who will give perspective and context to the work from their particular point of view. Guest Speaker: Barbara Earl Thomas, artist and former student of Jacob Lawrence.

BROOKLYN RIDER – HEALING MODES

November 7, 2018 | BMCM+AC {120 College Street} – BMCM+AC and UNC Asheville presented the Asheville debut of the eclectic string quartet Brooklyn Rider with the premiere of their new project Healing Modes. The healing properties of music have been recognized from ancient Greek civilization to the field of modern neuroscience and expressed in countless global traditions. The slow movement of Beethoven’s Opus 132, a ‘Song of Holy Thanksgiving From a Convalescent to the Deity in the Lydian mode,’ is among the most profound expressions of healing in the string quartet repertoire. This autumnal masterwork is presented in its entirety alongside five compact new commissions which explore the subject of healing from a wide range of historical and cultures perspectives. Composers include Tyondai Braxton, Reena Esmail, Gabriela Lena Frank, Matana Roberts and recent Pulitzer Prize winner Caroline Shaw.

JACOB LAWRENCE COMMUNITY DAY

December 8, 2018 {120 College Street} Join us for a fun, free day in the museum celebrating Jacob Lawrence’s art and life. Including tours of the exhibition, poetry, and hands-on art activities for all ages. Presented in partnership with the Easel Rider art crew and including teaching artist Cleaster Cotton and artist and poet DeWayne Barton. Community Day will feature an exhibition of artworks by 5th grade students at Vance Elementary, inspired by the art and life of Jacob Lawrence. Students have been studying Lawrence with TAPAS resident artist Cleaster Cotton. 

CURATOR TALK

October 25, 2018 {120 College Street} Julie Levin Caro, co-curator of Between Form + Content will discuss the fruits of her multi-year research process into Jacob Lawrence and the impact of BMC and Josef Albers on Lawrence’s painting and teaching.

PERSPECTIVES: CLEASTER COTTON

Wednesday, October 10, 12-1pm {120 College Street} PERSPECTIVES Lunchtime Conversations @ BMCM+AC. Explore our Jacob Lawrence exhibition along with an artist, historian, or scholar who will give perspective and context to the work from their particular point of view....

OPENING RECEPTION: BETWEEN FORM AND CONTENT

Friday, September 28, 6-8pm – Opening Reception for the exhibition / Grand Opening for 120 College St / ReVIEWING Black Mountain College 10 conference reception. Between Form and Content: Perspectives on Jacob Lawrence and Black Mountain College. Curated by...

OPENING RECEPTION – SAY IT LOUD {22 London Road}

Saturday, September 29 – 2018, 6-10pm {22 London Rd., Asheville, NC 28803} Opening reception for Say It Loud, an exhibition of contemporary art from the collection of Hedy Fischer and Randy Shull, including work from eighteen prominent African American artists...

ReVIEWING 10

September 28-30, 2018 (UNC Asheville’s Reuter Center) – ReVIEWING Black Mountain College 10. This annual conference explores the history and legacy of Black Mountain College through presentations, workshops, and performances. Keynote Speaker: art historian Dr. Leslie King Hammond and Keynote Panel: Tyondai Braxton, Grace Villamil, Martha Colburn, and Jace Clayton (DJ Rupture).

ASHEVILLE SOUND SURVEY + WALKING TOUR

Thursday, June 21 – 7pm Asheville Sound Survey + Walking Tour with Alec Sturgis Join us as local composer and writer Alec Sturgis introduces the Asheville Sound Survey, an ongoing, interactive project investigating the sounds in our community. Inspired by Josef...

JAYE BARTELL – LATER: READINGS FROM THEN AND NOW

Thursday, Aug. 2 – 7pm {56 Broadway} Jaye Bartell – Later: Readings from then and now Former Asheville resident Jaye Bartell, who performed regularly at BMCM+AC in the mid-2000s, returns for a night of readings and reminiscences. Bartell will read from the...

R. Buckminster Fuller: THE HISTORY (and Mystery) OF THE UNIVERSE

Written by D.W. Jacobs  from the life, work and writings of R. Buckminster Fuller Performed by David Novak Saturday, July 28 – 7 pm {56 Broadway} Actor and storyteller David Novak performs this one-man play written by D.W. Jacobs from the life, work, and...

ARTHUR PENN FILM SERIES: ALICE’S RESTAURANT

Thursday, July 26 – 7pm {Fine Arts Theatre} Arthur Penn film series In partnership with the Fine Arts Theatre, we’re celebrating the work of Black Mountain College alumnus Arthur Penn with two screenings of his classic films on the big screen. The films will be...

ARTHUR PENN FILM SERIES: BONNIE + CLYDE

Thursday, July 12 – 7pm {Fine Arts Theatre} Arthur Penn film series In partnership with the Fine Arts Theatre, we’re celebrating the work of Black Mountain College alumnus Arthur Penn with two screenings of his classic films on the big screen. The films will be...

MEND PIECE FOR THE WORLD: A PARTICIPATION ART WORK BY YOKO ONO

July 20 + 21, 2018 (56 Broadway) – Mend Piece for the World: A Participation Art Work by Yoko Ono. Sit at a table with others and mend broken ceramic cups and plates with glue, tape, and twine. Yoko Ono asks us to “Mend carefully. Think of mending the world at the same time.” This participatory work, first conceptualized in 1966 and recreated many times since (including here at BMCM+AC in 2002) is open to all with materials and supplies provided.

BONNIE WHITING – JOHN CAGE’S 51’15.657″ FOR A SPEAKING PERCUSSIONIST

June 27, 2018 | BMCM+AC {56 Broadway} – Presented in collaboration with the Asheville Percussion Festival, 51’15.657″ for a Speaking Percussionist is Bonnie Whiting’s realization of a solo simultaneous performance of John Cage’s 45′ for a Speaker and 27’10.554″ for a Percussionist. These are vintage pieces: music from the mid-50’s and part of a series of timed works that Cage enjoyed mixing together and referred to in notes and letters as “the ten thousand things.” A culmination of 14 months of work and study, Whiting is the first performer to execute both pieces in their entirety.