Credit Photo: Erin Baiano
Wednesday, November 7, 2018
7pm {120 College Street}
“[Brooklyn Rider’s] superb playing is matched only by the thought, commitment and inspiration its members pour into projects…making the string quartet not a relic of times long gone, but a vessel for the shape of music to come” – NPR Music.
BMCM+AC and UNC Asheville present the Asheville debut of the eclectic string quartet Brooklyn Rider with the premiere of their new project Healing Modes. The healing properties of music have been recognized from ancient Greek civilization to the field of modern neuroscience and expressed in countless global traditions. The slow movement of Beethoven’s Opus 132, a ‘Song of Holy Thanksgiving From a Convalescent to the Deity in the Lydian mode,’ is among the most profound expressions of healing in the string quartet repertoire. This autumnal masterwork is presented in its entirety alongside five compact new commissions which explore the subject of healing from a wide range of historical and cultures perspectives. Composers include Tyondai Braxton, Reena Esmail, Gabriela Lena Frank, Matana Roberts and recent Pulitzer Prize winner Caroline Shaw.
Brooklyn Rider
Johnny Gandelsman (violin), Colin Jacobsen (violin), Nicholas Cords (viola), and Michael Nicolas (cello)
“They are four classical musicians performing with the energy of young rock stars jamming on their guitars, a Beethoven-goes-indie foray into making classical music accessible but also celebrating why it was good in the first place.” – Pittsburgh Post-Gazette
Hailed as “the future of chamber music” (Strings), the veteran string quartet Brooklyn Rider presents eclectic repertoire and gripping performances that continue to draw rave reviews from classical, world, and rock critics alike. NPR credits Brooklyn Rider with “recreating the 300-year-old form of string quartet as a vital and creative 21st-century ensemble.”
To start the 2017-18 season, Brooklyn Rider releases Spontaneous Symbols in October on Johnny Gandelsman’s In a Circle Records label. The album features new quartet music by Tyondai Braxton, Evan Ziporyn, Paula Matthusen, Kyle Sanna, and Brooklyn Rider violinist Colin Jacobsen. To mark the release the group will tour the northeast, with stops in New York and Boston, performing music from the new album. Works from that recording by Braxton, Ziporyn and Jacobsen were also featured in live performance for Some of a Thousand Words, the ensemble’s recent collaboration with choreographer Brian Brooks and former New York City Ballet prima ballerina Wendy Whelan. An intimate series of duets and solos in which the quartet’s live onstage music is a dynamic and central creative component, Some of a Thousand Words was featured at the 2016 Jacob’s Pillow Dance Festival, before a U.S. tour the following spring, including a week-long run at New York City’s Joyce Theater. This season the quartet reunites with Whelan and Brooks for a second North American tour. They also team up with incomparable banjoist Béla Fleck — with whom they appeared on two different albums, 2017’s Juno Concerto and 2013’s The Impostor — for concerts in Texas, Oklahoma, Arkansas, Colorado and Montana. Also in the spring, Brooklyn Rider partners with two instrumentalists who are at the forefront of their respective genres, jazz saxophonist Joshua Redman and Irish fiddle master Martin Hayes. The tours with Redman and Hayes are the product of multi-season collaborations that will continue beyond the spring and will include new recordings with both artists. Balancing these collaborations is a full schedule of quartet performances across the U.S., as well as in the U.K., Sweden, and Germany.
During the 2016-17 season, Brooklyn Rider released an album entitled so many things on Naïve Records with Swedish mezzo-soprano Anne Sofie von Otter, comprising music by Colin Jacobsen, Caroline Shaw, John Adams, Nico Muhly, Björk, Sting, Kate Bush and Elvis Costello, among others. The group toured material from the album and more with von Otter in the U.S. and Europe, including stops at Carnegie Hall and the Opernhaus Zürich. Additionally, Brooklyn Rider performed Philip Glass’s String Quartet #7, furthering a relationship with the iconic American composer which began with 2011’s much-praised Brooklyn Rider Plays Philip Glass and will continue with the upcoming album release of Glass’s recent quartets on the composer’s Orange Mountain Music label.
In 2015, the group celebrated its tenth anniversary with the groundbreaking multi-disciplinary project Brooklyn Rider Almanac, for which it recorded and toured 15 specially commissioned works, each inspired by a different artistic muse. Other recording projects include the quartet’s eclectic debut recording in 2008, Passport, followed by Dominant Curve in 2010, Seven Steps in 2012, and A Walking Fire in 2013. In 2016, they released The Fiction Issue with singer-songwriter Gabriel Kahane, with the title track a Kahane composition that was premiered in 2012 at Carnegie Hall by Kahane, Brooklyn Rider and Shara Worden. A long-standing relationship between Brooklyn Rider and Iranian kamancheh player Kayhan Kalhor resulted in the much-praised 2008 recording, Silent City.
More info: www.brooklynrider.com
