Setting / Sally Anne Morgan
October 26, 2023 at 7pm | BMCM+AC
October 26, 2023 at 7pm | BMCM+AC
August 5, 2023 | BMCM+AC
July 6, 2023 at 7 PM | BMCM+AC
June 22, 2023 at 8 PM | BMCM+AC
April 22 at 7 PM | BMCM+AC
February 3, 2023 at 7 PM | BMCM+AC
February 24 + 25, 2023 at 7 PM | BMCM+AC
December 2 + 3, 2022 at 7 PM | Static Age Records
February 9, 2023 at 7 PM | BMCM+AC
October 13, 2022 at 7PM | 22 London + Streaming
November 16, 2022 at 7PM | Blue Spiral 1
July 30, 2022 at 3PM + 7PM | BMCM+AC
Commissioned by ICA/Boston
June 9, 2022 at 7PM | BMCM+AC
May 12, 2022 at 7PM | BMCM+AC
November 13, 2021 | BMCM+AC {120 College Street} – Presented in conjunction with the 12th annual ReVIEWING conference. Two performances present the wide-ranging works of John Cage: Carl Patrick Bolleia, John Cage Piano/Toy Piano Retrospective: Black Mountain Keyboard | Thomas Moore, solo piano works by John Cage, with a focus on compositions written around 1952 and 1953.
Commission | November 12th, 2021 | BMCM+AC {120 College Street} + Streaming | The world premiere of John Luther Adams’ new composition “Waves and Particles,” performed by JACK Quartet. Presented on the opening night of the 12th annual ReVIEWING Black Mountain College Conference (November 12 – 14, 2021) and co-commissioned as part of the inaugural Faith in Arts Institute, a partnership between BMCM+AC and UNC Asheville.
Commission | February 13, 2020 | BMCM+AC {120 College Street} – Grammy-winning Chicago-based percussion ensemble Third Coast Percussion and composer Bana Haffar debuted the newly commissioned Shed for percussion and modular synthesizer. Drawing from the rich legacy of Anni Albers, Haffar engages with the materiality of sound, the essence of cloth, and the symbiosis of the machine and handmade by transposing standard weaving draft notation into musical scores.
Commisioned by BMCM+AC as part of Question Everything! The Women of Black Mountain College.
December 12, 2019 | BMCM+AC {120 College Street} – Gandelsman is the one of the first to record or perform Bach’s complete cello suites on violin. This is Gandelsman’s second initiative towards adapting Bach’s compositions to violin, following his recordings of Bach’s Sonatas and Partitas in 2018. Having worked with incredible masters of various world music traditions, like Bela Fleck, Martin Hayes and Kayhan Kalhor, Gandelsman’s playing of the Suites is equally inspired by folk and fiddling traditions, as it is by historically informed performance.