Black Mountain College Museum + Arts Center awards the 2025 Annual BMC International Artist Prize to Rosana Paulino

About the 2025 BMC Prize Recipient: Rosana Paulino

Rosana Paulino is an artist, educator, and researcher based in São Paulo, Brazil. She creates work centered around social, ethnic, and gender issues, foregrounding especially the histories, myths, narratives and images of Black women in Brazilian society. Her practice spans drawing, embroidery, engraving, printmaking, collage, sculpture, and installation. Paulino explores the history of racial violence and the persisting legacy of slavery in Brazil, illuminating the impact of memory on psychosocial constructions. She introduces archetypes and documents, blending personal and archival recollections, in order to deconstruct remnants of European colonialism which influence the cultural consciousness today.

Select Honors: Paulino is the recipient of the inaugural 2024 Munch Award from the Munch Museum in Oslo, Norway and the 2025–2027 Jane Lombard Prize for Art and Social Justice, from The Vera List Center for Arts and Politics, NY. She also received the Konex Mercosur Award in 2022. Her most recent exhibitions include Diálogos do Dia e da Noite, Mendes Wood DM, New York (2025); Novas Raízes, Casa Museu Eva Klabin, Rio de Janeiro (2024); Amefricana, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires (2024). Recent group exhibitions include Cartographies for after the end, Centre Pompidou-Metz, Metz (2025); Project a Black Planet: The Art and Culture of Panafrica, Art Institute of Chicago, Chicago (2024); Ancestral, Museu de Arte Brasileira / FAAP, São Paulo (2024); 35th Bienal de São Paulo, São Paulo (2023); The Milk of Dreams, 59th International Biennale di Venezia, Venice (2022); Afro-Atlantic Histories, National Gallery of Art, Washington DC, (2022). Her work is held in the permanent collections of the Centre Pompidou, Centro Cultural São Paulo, Frank Museum of Art, Museu AfroBrasil, MoMA, Museu de Arte de São Paulo, Museu de Arte Moderna de São Paulo, Museu de Artes de Buenos Aires, Museu Oscar Niemeyer, Museu Salvador Allende, Pérez Art Museum, Pinacoteca do Estado de São Paulo, Tate Modern, The Studium Museum, Harvard Art Museums and University of New Mexico Art Museum.

Jeff Arnal, Executive Director of Black Mountain College Museum + Arts Center, remarks: “Rosana Paulino’s selection as the 2025 BMC Prize recipient extends Black Mountain College’s radical experiment across continents, recognizing a practice that, like the College itself, resists easy categories and sees art as a tool for inquiry, responsibility, and change. Paulino’s work resonates with the College’s enduring commitment to social engagement and transformative interdisciplinarity.”

Gallery: Mendes Wood DM

About the 2025 Nominators

Beverly Adams is the Estrellita Brodsky Curator of Latin American Art at the Museum of Modern Art, NYC. Before joining MoMA, Adams was the Curator of Latin American Art at the Blanton Museum at the University of Texas at Austin. Most recently, Adams organized (with Natalia Majluf) the exhibition The Avant-garde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s (2019), the catalogue for which was awarded the Association for Latin American Art Arvey Foundation Exhibition Catalogue Award. Adams holds a PhD in art history from the University of Texas at Austin.

Johnny Gandelsman is a GRAMMY® Award-winning violinist, producer, and 2024 MacArthur Fellow who blends diverse musical influences into a unique style. A founding member of Brooklyn Rider and former Silkroad Ensemble artist, he has collaborated with luminaries including Yo-Yo Ma, Béla Fleck, and Mark Morris. He is known for his invigorating new interpretations of traditional violin repertoire, including his recordings of Bach’s Sonatas & Partitas for Violin (2018) and Cello Suites Transcribed for Violin (2020), where he uses a distinct bow hold and draws inspiration from folk fiddling.

Tina Kukielski is the Susan Sollins Executive Director and Chief Curator of Art21. Since 2016, she has spearheaded the strategic expansion of the organization’s mission, curatorial vision, and program, which is dedicated to increasing public access to contemporary art and illuminating the creative practices of the most important artists working today. Internationally recognized for its Peabody Award-winning documentary series Art in the Twenty-First Century, Art21 has grown under Kukielski’s tenure as a leader in arts education and a pioneering producer of online film and digital media, with an annual viewership of over 4 million. Prior to Art21, Kukielski worked for over 13 years as a curator of contemporary art, holding curatorial positions at the Whitney Museum of American Art and Carnegie Museum of Art. She was a co-curator of the 2013 Carnegie International.

Helen Molesworth is a writer, podcaster, and curator. She previously held positions at the ICA Boston, Wexner Center for the Arts, and Harvard Art Museum. In 2015 she organized Leap Before You Look: Black Mountain College 1933–1957, the first comprehensive museum exhibition on the subject of Black Mountain College to take place in the U.S.. Her writing has appeared in Artforum, Art Journal, Documents, and October; and in 2023 she published Open Questions: Thirty Years of Writing About Art (Phaidon). She hosts DIALOGUES, a podcast with David Zwirner, and also hosted the podcast series Death of an Artist (Pushkin). Past awards include the Bard Center for Curatorial Studies Award for Curatorial Excellence (2011), Guggenheim Fellowship (2021), and The Clark Art Writing Prize (2022).

James Oles teaches art history at Wellesley College and is adjunct curator of Latin American Art at the Davis Museum. He splits his time between Wellesley, MA and Mexico City, where he works as an independent curator and art historian. His previous books include South of the Border: Mexico in the American Imagination, 1914-1947 (Smithsonian Institution Press, 1993) and Art and Architecture in Mexico (Thames & Hudson, 2013). Recent exhibition projects include “Diego Rivera’s America” which traveled to SFMoMA and the Crystal Bridges Museum of American Art (2022-2023), and “Mexichrome: Color and Photography in Mexico” at the Museo del Palacio de Bellas Artes in Mexico City (2023). Oles holds a PhD from Yale University.

Rosana Paulino, Wall of Memory, 1994/2015. Installation of patuás on acrylic blanket and fabric sewn with thread and cotton, photocopy on paper and watercolor. Photo by Isabella Matheus. | Portrait of Rosana Paulino by Ana Branco. | Rosana Paulino, Brazilian geometry: verde n.2, 2022. Collage, monotype and painting on canvas. Photo courtesy of the artist. | Rosana Paulino, Untitled, 2025. Graphite, acrylic, and natural pigment on canvas. Photo courtesy of the artist. | Rosana Paulino, Paradisiac Muse, 2019. Digital printing on fabric, ink and sewing. Photo courtesy of the artist.

About the 2024 BMC Prize Recipient: Alison Croney Moses

Boston-based artist Alison Croney Moses creates wooden objects that reach out to your senses—the smell of cedar, the color of honey or the deep blue sea, the round form that signifies safety and warmth, the gentle curve that beckons to be touched. 

Born and raised in North Carolina by Guyanese parents, making clothing, food, furniture, and art is embedded in her memories of childhood. She carries these values and habits into adulthood and parenting—creating experiences, conversations, and educational programs that cultivate the current and next generation of artists and leaders in art and craft. 

Select Honors:  Alison Croney Moses’s work is in the collections of the Museum of Fine Arts Boston, Museum of Fine Arts Houston, and Renwick Gallery of the Smithsonian American Art Museum. She is a recipient of the 2023 Boston Artadia Award, the 2022 USA Fellowship in Craft, and a finalist of the 2024 LOEWE FOUNDATION Craft Prize. She was recently named one of the 2023 WBUR 10 Makers. Her work has been featured in American Craft Magazine and Boston Art Review. In the Fall of 2023, her first solo was reviewed in the Boston Globe. Alison holds an MA in Sustainable Business & Communities from Goddard College, and a BFA in Furniture Design from Rhode Island School of Design.

Photos from Alison Croney Moses’s visit to BMCM+AC, July 5th, 2025:

About the 2024 Nominators

Seth Cluett is an artist and composer whose work ranges from photography and drawing to video, sound installation, concert music, and critical writing. Cluett’s works are marked by a detailed attention to perception and to the role of sound in the creation of a sense of place, the workings of memory, and the experience of time. The recipient of grants from Foundation for Contemporary Arts Emergency Fund, the Mellon Foundation, and Meet the Composer, his work has been presented internationally at venues such as The Whitney Museum, MoMA/PS1, Moving Image Art Fair, CONTEXT Art Miami, GRM, and STEIM. He has published writings with MIT Press, Tacet Revue, Leonardo Music Journal, and the Journal of the Acoustical Society of America, and his creative work is documented on Line, Sedimental, Notice, and Winds Measure recordings. Since 2017, Cluett has served as Artist-in-Residence at Nokia Bell Labs and is Director of the Computer Music Center and Assistant Director of the Sound Art MFA Program at Columbia University. 

Ruth Erickson currently serves as the Barbara Lee Chief Curator and Director of Curatorial Affairs at the The Institute of Contemporary Art/Boston. She has organized exhibitions including To Begin Again: Artists and Childhood, A Place for Me: Figurative Painting Now, and When Home Won’t Let You Stay: Migration through Contemporary Art; and solo presentations of Guadalupe Maravilla, María Berrío, and Barbara Kruger, among others. Her writing has appeared in numerous publications, including the critically acclaimed Leap Before You Look: Black Mountain College 1933–57 (2015), for which she was co-editor and served as research fellow. Before joining the ICA, Erickson was a fellow at the Institute of Contemporary Art Philadelphia and served as curator at Burlington City Arts. Erickson is the recipient of a prestigious Center for Curatorial Leadership Fellowship in 2021.

Maura Keefe is a contemporary dance historian and scholar in residence at Jacob’s Pillow Dance Festival. She is currently the Director of the School of Theatre, Dance, and Performance Studies at the University of Maryland, College Park. Keefe has given lectures and led audience programs nationally at places such as Princeton University, UCLA, Kennedy Center, and New York Live Arts; and internationally for the Festival Internacional Danza Extremadura, Mexico. She has published essays on women in dance, contemporary dance forms, and dance cultures. Keefe is the president of the Council of Dance Administrators and Chair of the Committee on Ethics for the National Association of Schools of Dance. She has served as a panelist for the New York State Council of the Arts, Maryland State Arts Council, and National Endowment for the Humanities. Keefe was previously Chair of the Department of Dance at SUNY Brockport and was on the dance faculty at Ohio University.

Paul Lazar founded Big Dance Theater in 1991 with Annie-B Parson. His work with the company includes conceiving, directing and/or performing in such works as “17c” (BAM) Supernatural Wife (BAM), and Comme Toujours Here I Stand (The Kitchen), at theaters ranging from The Old Vic in London to the Brooklyn Academy of Music. Paul directed Young Jean Lee’s Obie Winning “We’re Gonna Die” as well as plays at Saint Ann’s Warehouse and Classic Stage Company. Lazar has appeared in The Wooster Group’s North Atlantic, Brace Up!, Emperor Jones and The Hairy Ape. He is an instructor at NYU’s Tisch School of the Arts, and has taught Acting, Directing or Theatre History at Yale University, SUNY Purchase, Rutgers University, The Bill Esper Studio and The Michael Howard Studio. He is currently teaching at the Theater, Dance and Media concentration at Harvard. Paul’s film career includes roles in Silence of the Lambs, Mickey Blue Eyes, Lorenzo’s Oil, Philadelphia, The Host and Snowpiercer as well as numerous other films and television shows.

Dexter Wimberly is an American curator based in Japan who has organized exhibitions in galleries and institutions around the world including the Museum of Arts and Design in New York City; The Green Family Art Foundation in Dallas, Texas; The Harvey B. Gantt Center in Charlotte, North Carolina; KOKI Arts in Tokyo, Japan; BODE in Berlin, Germany; and The Third Line in Dubai, UAE. His exhibitions have been reviewed and featured in publications including The New York Times and Artforum; and have received support from The Andy Warhol Foundation for the Visual Arts and The Kinkade Family Foundation. Wimberly is a Senior Critic at New York Academy of Art, and the founder and director of the Hayama Artist Residency in Japan. He is also the co-founder and CEO of the online education platform, CreativeStudy. 

Header image: 2023 Alison Croney Moses Exhibition at Abigail Ogilvy Gallery, “The Habits of Reframing”. Photo by Mel Taing. | Alison Croney Moses with her 2021 sculpture My Babies. Photo by Jesika Theos.

About the 2023 BMC Prize Recipient: Adelita Husni Bey

Select Honors: Her work was part of the Italian pavilion at the 57th Venice Biennale, Venice, 2017, and her first US solo exhibition Chiron was exhibited at the New Museum, New York, 2019. She has participated in Being: New Photography 2018, The Museum of Modern Art, New York, 2018; Dreamlands, Whitney Museum of American Art, New York, 2016; The Eighth Climate, 11th Gwangju Biennale, 2015; Really Useful Knowledge, Reina Sofia Museum, Madrid, 2014; and Utopia for Sale?, MAXXI Museum, Rome, 2014.

Listen to BMC Radio Episode 10, a conversation with Adelita Husni-Bey:

About the 2023 Nominators

Bonnie Jones is a Korean-American improvising musician, poet, and performer working with electronic sound and text. She performs solo and in numerous collaborative music, film, and visual art projects. Bonnie was a founding member of the Transmodern Festival and CHELA Gallery and is currently a member of the High Zero Festival collective. In 2010, she co-founded TECHNE, an organization that introduces young female-identified women to technology-focused art making, improvisation, and community collaboration. TECHNE’s programs are delivered through partnerships with grassroots organizations that share an aligned commitment to racial and gender equity. She has received commissions from the London ICA and Walters Art Museum and has presented her work extensively at institutions in the US, Mexico, Europe and Asia. Bonnie was a 2018 recipient of the Foundation for Contemporary Arts Grants to Artists Award. Born in South Korea, she was raised on a dairy farm in New Jersey, and currently resides in Baltimore, Maryland and Providence RI on the lands of the Susquehannock, Piscataway, Algonquian, and Narragansett.

Arooj Aftab is a Grammy award winning singer, composer, and producer who works in various musical styles and idioms, including jazz, minimalism, and Urdu poetry. She has been named one of NPR’s Top 100 composers, and has been featured on several best concerts lists, including The New York Times. Her Vulture Prince album was met with critical acclaim from The Guardian, Time Magazine, Pitchfork, Rolling Stone, The Los Angeles Times, and The New York Times. Aftab has performed at major international music festivals including Coachella, Glastonbury, Primavera Sound Barcelona, Roskilde Festival, and Montreal Jazz Festival. She has also performed at Performance Art Centers such as The Metropolitan Museum of Art, The Lincoln Center for Performing Arts, and The Broad. Aftab is a 2023 United States Artists Fellow and a recipient of the Vilcek Prize for Creative Promise in Music.

Richard Colton is the founder and director of an interdisciplinary arts’ residency program at The Institute of Contemporary Art/Boston, this summer working with Gandini Jugglers and Sandbox Percussion in a new collaboration around the music of Xenakis. Richard leads Movement Without Borders at Judson Memorial Church, a program he founded that brings together artists and activists around the urgent issues of immigration and homelessness. In 2023 he co-conceived and produced a dance film to celebrate the centennial of Ellsworth Kelly’s birth. In 2024 he will be curator for Max Roach100@The Joyce Theater. Colton is currently editing a film he created inspired by the writings of Clarice Lispector. 

Euridice Arratia is a curator and art advisor based in the Paris metropolitan area. In 2006, she opened the Arratia Beer gallery in Berlin with Elizabeth Beer. She served as director at Galerie Chantal Crousel in Paris from 2018 to 2020. Arratia’s roots are in New York City, where she began as an independent curator and received her MFA from New York University’s Tisch School of the Arts. She has also written several articles for publications such as Frieze and Bomb Magazine.

Daniela Perez is a contemporary art curator based in Mérida. She currently works at Fundación T.A.E. as curator and coordinator of art projects. In 2017-18 she was selector for the Artes Mundi prize in Cardiff, UK. Between 2015 and 2017 she was deputy artistic director at Museo Tamayo in Mexico City. In 2015 she curated the exhibition We Must Become Idealists or Die. Gustav Metzger at Jumex Museum. She has been awarded curatorial grants by the Foundation for Arts Initiatives (2020 and 2013) and was part of the curatorial team of the 9th Mercosul Biennial in Porto Alegre, Brazil (2013). In 2011 she co-founded a platform to conceptualize, develop and promote contemporary art projects in diverse formats called de_sitio. Between 2007 and 2011 she was associate curator at Museo Tamayo. She has worked at diverse institutions, including Museu de Arte Moderna, Sao Paulo; New Museum, New York; Museo de Arte Carrillo Gil, Mexico City. Daniela writes regularly for different publications and has taught at La Esmeralda and Soma. She obtained her MA degree in Curating Contemporary Art from the Royal College of Art, London.

Header image: THE COUNCIL, 2018, photographic series, “Founder’s Room: Third Plenary Session on the Future of the Institution,” chromogenic print mounted on Dibond. 159 X 304 cm. Collection of the Museum of Modern Art, New York, courtesy Galleria Laveronica.

About the 2022 BMC Prize Awarded Artists: Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian

Aware that their practice does not only encompass what they do but also the contributions of other individuals, from other artists, carpenters, technicians, thinkers, and caretakers to everyone else who is involved in the making of a project, these artists refuse the concept of the genius Artist. They prefer to acknowledge everyone who becomes part of their working process, as they believe that through their individual participation, everyone, collaboratively, creates a shared environment and a unique sensibility that enables them to coexist while contributing to the making of something new. Thus, a main element of their practice is human labor, including theirs, as well as a working process that involves the inclusion of different opinions, discussing and considering opposing perspectives and approaches, and mainly, experimenting with a wide range of possibilities.

About the Nominators

Hedy Fischer and Randy Shull are cultural pollinators based in Asheville, NC and Merida, Mexico. Hedy and Randy establish spaces for social advocacy and community-centered art practice, reflecting an awareness of power dynamics and institutional barriers, specifically against female, Black, and Latinx artists. As the pair states, “Part of our commitment to the arts is a feeling of responsibility to participate in the global discourse that seeks to rewrite many overlooked histories and to provide an avenue for conversation and understanding.” Together they founded Pink Dog Creative in Asheville’s lively River Arts District as well as 22 London, where they present exhibitions from their personal art collection of internationally recognized artists and performances. They have been active participants in the international art world as art collectors for the past twenty-five years. Hedy is on the Board of Trustees of Art21 in New York City as well as the Black Mountain College Museum + Art Center, Asheville, NC. Randy Shull, himself an artist, works at the intersection of architecture, landscape design, furniture design, and painting and keeps studios in both Asheville, NC, and Merida, Mexico. Randy has received an NEA Southern Arts Federation Grant as well as a Fellowship from the North Carolina Arts Council. Randy is on the Board of Trustees of The North Carolina Museum of Art, Raleigh, NC.

Kelly Kivland is Chief Curator & Director of Exhibitions for the Wexner Center for the Arts, the multidisciplinary contemporary art laboratory at The Ohio State University. Since 2011, Kivland served as curator at Dia Art Foundation. Her curatorial work there includes solo exhibitions and projects focused on Nancy Holt, Isabel Lewis, Steve Paxton, and Joëlle Tuerlinckx, Maren Hassinger, and Joan Jonas. Recent projects include the acclaimed installation Party/After-Party by Carl Craig, as well as the digital commission May amnesia never kiss us on the mouth by Basel Abbas and Ruanne Abou-Rahme. Kivland has authored numerous essays, catalogues, and other publications in conjunction with these efforts. She has also overseen partnerships to steward two permanent works of Land Art that are part of Dia’s collection: Nancy Holt’s Sun Tunnels and Robert Smithson’s Spiral Jetty. Throughout Kivland’s career are instances of the curator expanding her collaborations with artists practicing in a variety of disciplines, along with numerous stints as a guest critic, juror, lecturer, and panelist. She’s worked with organizations and institutions in the US and abroad including the Electronic Arts Intermix (EAI); the Pew Center for Arts & Heritage, and the Walker Art Center; and is currently on the board of the biannual journal Fence.

Ralph Lemon is an artist generating interdisciplinary modes of artistic expression as he strives to communicate stories, emotions, memories, and identities that do not conform to standard categories of representation. His notable works Geography Trilogy (1996-2004), Scaffold Room (2014), and Saturnalia (ongoing) interrogate cultural exchange, language, and contemporary societal structures. Ralph Lemon’s work has been acknowledged with awards such as the National Endowment for the Arts choreographic fellowship; American Choreographers Award, 1987; Gold Medal, New York Dance and Performance (“Bessie”) Award, 1987. Lemon received a 2000 Creative Capital Performing Arts Award and 2012 Foundation for Contemporary Arts Grants to Artists Award. He is a 2020 MacArthur Fellow. Ralph Lemon was one of the twelve recipients of the 2015 National Medal of Arts. In 2018, he received the 23rd Annual Heinz Award in the Arts and Humanities. In 2019, he received the Francis J. Greenburger Award for artists whom the art world knows to be of extraordinary merit but who have not been fully recognized by the public.

Abaseh Mirvali is a Curator and Cultural Project Producer with a career-long commitment to civic engagement and public service through innovative collaborations between contemporary art initiatives and the community at large. Most recently, Mirvali served as Executive Director, Chief Curator, and CEO at Museum of Contemporary Art Santa Barbara (MCASB), in California, USA, where she established a world-class level exhibition program, accompanied by substantive and innovative education and engagement initiatives. Her professional background includes previous roles as the Executive Director of the Colección/Fundación Jumex Arte Contemporáneo in Mexico City from 2005-2008. There, Mirvali fortified and developed one of the most distinguished collections of contemporary art held by a private institution in Latin America. Mirvali also served as the CEO and Executive Director of Denver’s Biennial of the Americas for its 2013 edition, establishing the vision for their exhibitions, public art projects, and urban architectural interventions as well as its policy programs. Earlier in her career, Mirvali served as Senior Advisor to the U.S. Ambassador for Culture and Education, creating innovative art and educational programming led by the Embassy of the United States in Mexico City. Mirvali has also collaborated with renowned cultural institutions, artists, and architects around the globe as well as served on the boards of various cultural and educational organizations in cities including Bogotá, Brussels, Buenos Aires, Istanbul, Milan, New York, Rio de Janeiro, Sao Paolo, Turin, and Vienna, as well as Berlin and Mexico City.

Header image: Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian. Photo courtesy of SHIRN.

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