PERFORMANCE: DAMSELFLY TRIO

February 27, 2020 | BMCM+AC {120 College Street} – Damselfly Trio perform three works by BMC alumna Ursula Mamlok: the kaleidoscopic “Der Andreas Garten” for trio, “Haiku Settings” for soprano and flute, and “Variations” for solo flute as well as selections by composers George Crumb, Alfred Zimmerlin, and the world premiere of Ricardo Zohn-Muldoon’s complete “Songs from Comala.” With Liz Pearse, soprano, Chelsea Czuchra, flutes, and Lindsay Buffington, harp.

POETRY READING (POSTPONED)

Important Announcement regarding COVID-19 BMCM+AC is temporarily closed, with all programs postponed through the end of April. Please sign up for our e-newsletter to connect with us from home and consider supporting our museum through a donation or membership, if you...

CULTURE CLUB (POSTPONED)

Important Announcement regarding COVID-19 BMCM+AC is temporarily closed, with all programs postponed through the end of April. Please sign up for our e-newsletter to connect with us from home and consider supporting our museum through a donation or membership, if you...

THIRD COAST PERCUSSION – SHED, BANA HAFFAR

Commission | February 13, 2020 | BMCM+AC {120 College Street} – Grammy-winning Chicago-based percussion ensemble Third Coast Percussion and composer Bana Haffar debuted the newly commissioned Shed for percussion and modular synthesizer. Drawing from the rich legacy of Anni Albers, Haffar engages with the materiality of sound, the essence of cloth, and the symbiosis of the machine and handmade by transposing standard weaving draft notation into musical scores.

Commisioned by BMCM+AC as part of Question Everything! The Women of Black Mountain College.

PERSPECTIVES: BANA HAFFAR

February 12, 2020 | BMCM+AC {120 College Street} – Join composer/musician Bana Haffar for an interactive experience with her graphic score Shed. In this hands-on workshop, Haffar will explain the process behind the composition and invite participants to actively engage with the score.

{Re}HAPPENING 10

April 2, 2022 | Lake Eden {Camp Rockmont} | Featuring The Philip Glass Ensemble – The {Re}HAPPENING is an annual afternoon and evening event at the historic campus of Black Mountain College – 15 minutes from Asheville. It is part art event, part fundraiser, and part community instigator, providing a platform for contemporary artists to share their responses to the vital legacy of Black Mountain College.

FILMS@BMCM+AC: DON’T KNOW WE’LL SEE THE WORK OF KAREN KARNES

This documentary by award-winning filmmaker Lucy Massie Phenix is an intimate study of the work and life of master clay artist, Karen Karnes. It takes the viewer into her creative process, into the evolution of a single sculptural piece, and into Karnes’ body of work of over 60 years.

John Cage + the Rasa Aesthetic: Prepared Piano at BMCM+AC

Guest blog post from Casey Edwards On Thursday, August 2, 2019, the Black Mountain College Museum + Arts Center had the pleasure of hosting Guggenheim Fellow Amy Williams for a recital of John Cage’s famous Sonatas and Interludes for prepared piano, part of BMCM+AC’s...

Alma Stone Williams Collection

Within the BMCM+AC Permanent Collection, we house a number of collections specific to alumni and faculty of the school, offering unique insight into what Black Mountain College was like from a wide range of perspectives. In this guest blog post from BMCM+AC Archival...

OPENING RECEPTION

Friday, January 24, 5:30-8pm Question Everything! The Women of Black Mountain College Curated by Kate Averett and Alice Sebrell. In the midst of modernism, when the foundations of culture were under question, prompted by war and global crises, women were able to make...

MUSEUM STORE SUNDAY

Sunday, December 1 – 1pm to 5pm Be a patron! Black Mountain College Museum + Arts Center will be offering 10% off all merchandise and special discounts on select Jargon Society books on November 30 and December 1, the weekend of Museum Store Sunday. We will also...

Elaine and Willem de Kooning + The Summer of 1948

When the summer of 1948 rolled around, Elaine and Willem de Kooning were relieved to take a break from the New York art scene which seemed to be taking from them much more than it was giving. On an invitation from Josef Albers, Willem came to Black Mountain College to...