December 12, 2018 {120 College} Explore our Jacob Lawrence exhibition along with an artist, historian, or scholar who will give perspective and context to the work from their particular point of view. Guest Speaker: Clarissa Sligh, photographer and book artist.
December 1, 2018 {120 College} Fritz Horstman, Education Coordinator at The Josef and Anni Albers Foundation leads this workshop exploring and expanding upon Josef Albers’s classroom exercises from the Bauhaus, BMC, and Yale. In his time teaching at Black Mountain, Jacob Lawrence sat in on Albers’s famous color course, and later recalled how important it was to his own painting. In the workshop we will try Albers’s color experiments and also investigate paper folding, design studies, and more.
November 15, 2018 {120 College Street} Curator and art historian Julie Levin Caro leads a conversation with Barbara Earl Thomas, granddaughter of southern sharecroppers, artist, and former student of Jacob Lawrence. From 2008-2013 Thomas served as executive director of the Northwest African American Museum in Seattle, WA.
November 14, 2018 {120 College Street} Explore our Jacob Lawrence exhibition along with an artist, historian, or scholar who will give perspective and context to the work from their particular point of view. Guest Speaker: Barbara Earl Thomas, artist and former student of Jacob Lawrence.
November 7, 2018 | BMCM+AC {120 College Street} – BMCM+AC and UNC Asheville presented the Asheville debut of the eclectic string quartet Brooklyn Rider with the premiere of their new project Healing Modes. The healing properties of music have been recognized from ancient Greek civilization to the field of modern neuroscience and expressed in countless global traditions. The slow movement of Beethoven’s Opus 132, a ‘Song of Holy Thanksgiving From a Convalescent to the Deity in the Lydian mode,’ is among the most profound expressions of healing in the string quartet repertoire. This autumnal masterwork is presented in its entirety alongside five compact new commissions which explore the subject of healing from a wide range of historical and cultures perspectives. Composers include Tyondai Braxton, Reena Esmail, Gabriela Lena Frank, Matana Roberts and recent Pulitzer Prize winner Caroline Shaw.
December 8, 2018 {120 College Street} Join us for a fun, free day in the museum celebrating Jacob Lawrence’s art and life. Including tours of the exhibition, poetry, and hands-on art activities for all ages. Presented in partnership with the Easel Rider art crew and including teaching artist Cleaster Cotton and artist and poet DeWayne Barton. Community Day will feature an exhibition of artworks by 5th grade students at Vance Elementary, inspired by the art and life of Jacob Lawrence. Students have been studying Lawrence with TAPAS resident artist Cleaster Cotton.
October 25, 2018 {120 College Street} Julie Levin Caro, co-curator of Between Form + Content will discuss the fruits of her multi-year research process into Jacob Lawrence and the impact of BMC and Josef Albers on Lawrence’s painting and teaching.
September 28-30, 2018 (UNC Asheville’s Reuter Center) – ReVIEWING Black Mountain College 10. This annual conference explores the history and legacy of Black Mountain College through presentations, workshops, and performances. Keynote Speaker: art historian Dr. Leslie King Hammond and Keynote Panel: Tyondai Braxton, Grace Villamil, Martha Colburn, and Jace Clayton (DJ Rupture).
July 20 + 21, 2018 (56 Broadway) – Mend Piece for the World: A Participation Art Work by Yoko Ono. Sit at a table with others and mend broken ceramic cups and plates with glue, tape, and twine. Yoko Ono asks us to “Mend carefully. Think of mending the world at the same time.” This participatory work, first conceptualized in 1966 and recreated many times since (including here at BMCM+AC in 2002) is open to all with materials and supplies provided.
June 27, 2018 | BMCM+AC {56 Broadway} – Presented in collaboration with the Asheville Percussion Festival, 51’15.657″ for a Speaking Percussionist is Bonnie Whiting’s realization of a solo simultaneous performance of John Cage’s 45′ for a Speaker and 27’10.554″ for a Percussionist. These are vintage pieces: music from the mid-50’s and part of a series of timed works that Cage enjoyed mixing together and referred to in notes and letters as “the ten thousand things.” A culmination of 14 months of work and study, Whiting is the first performer to execute both pieces in their entirety.
June 15 + 16, 2018 – Make Noise 10th Anniversary. “Recursion Mechanism,” an installation by Richard Devine with visuals by Matt Kew. This machine/modular system generates an infinite number of sounds, that evolve, grow and multiply into new organic forms. The piece will utilize a 4 channel quad speaker configuration. Each speaker will represent one audio element that will focus on various captured field recordings, synthesis, and manipulated digital audio fragments to make up an ever-changing music composition.
June 6, 2018 | BMCM+AC {56 Broadway} – Conceived in 1969 as an audience participation work, John Cage’s original “score” simply stipulated that the gallery be filled with about a dozen record players and two- to three-hundred vinyl records. Museum visitors were encouraged to act as DJs and create a musical mix by playing records freely and thus performing the work. This realization was performed by María Chávez and an open audience, with 300 records compiled by curator Jade Dellinger, including records chosen by Yoko Ono, Iggy Pop, Graham Nash, David Byrne (Talking Heads), Bryan Ferry (Roxy Music), Jack White (The White Stripes), Lee Ranaldo (Sonic Youth), Richie Ramone (The Ramones), Jad Fair (Half-Japanese), Alex James (Blur), Meredith Monk, Terry Allen, Irwin Chusid, Arto Lindsay (DNA & Lounge Lizards), Blixa Bargeld (Einsturzende Neubauten), Mike Kelley (Destroy All Monsters), S.A. Martinez (311), David Harrington (Kronos Quartet), Emil Schult (Kraftwerk), Pauline Oliveros, The Residents, Vito Acconci, The Art Guys, Martin Atkins (Public Image Ltd.), John Baldessari, Matthew Barney, Christian Marclay Joan LaBarbara, Jim Rosenquist, Ed Ruscha and William Wegman.
