ReVIEWING Black Mountain College
Hosted by Black Mountain College Museum + Arts Center
Held annually in Asheville, North Carolina
at UNC Asheville’s Reuter Center
ReVIEWING Black Mountain College conference is a forum for scholars to contribute original work on topics related to Black Mountain College and its place in cultural history.
The format is designed to be interdisciplinary, with sessions that will include panels, presentations, performances, and workshops. BMC itself was a uniquely interdisciplinary organization, generating output from its faculty and students that often involved the melding of the visual, performing, and literary arts. Each year, conference participation reflects this; past presentations have explored wide-ranging, fruitful intersections such as (to name just a few of the most recent examples) how Charles Olson’s “projectivist” poetics inspired works on the stage and screen; the influence of choreographer Merce Cunningham on Abstract Expressionist painters trained at BMC such as Pat Passlof and James Bishop; the photography of poet-publisher-artist Jonathan Williams; the path from BMC’s first Summer Institute in honor of Arnold Schoenberg, to the design and philosophy of contemporary summer arts programs today; a performance connecting Ruth Asawa’s sculpture to contemporary dance; and a workshop offering attendees the opportunity to weave on looms with found materials, as Anni Albers’ BMC students did.
The 12th Annual ReVIEWING Black Mountain College conference (scheduled for November 12-14, 2021 in Asheville, North Carolina) will have a thematic focus on the remarkable and far-reaching impact of John Cage’s ideas and practices. Cage was a radical thinker, composer, musician, collaborator, visual artist, writer, and Buddhist. His legacy in music, performance, and visual art is incalculable. Through Revisiting John Cage, BMCM+AC encourages expansive conversation on, and responses to, the composer’s works and influences through a broad and global perspective. Proposals on any topic related to Black Mountain College and its legacy are also welcome and will be considered. Furthermore, in the spirit of BMC, the conference challenges disciplinary boundaries, and therefore performances, multi-media panel proposals, and workshops are welcome.
Browse past conferences
Thematic Focus on the Writers of Black Mountain College
Thematic Focus on the Bauhaus + USA
Featuring keynote speaker Helen Molesworth
Participant Bios + Abstracts
In order to continue offering our annual Black Mountain College Lake Eden Campus Tour, we have instated mandatory carpooling. Please arrive at BMCM+AC at 120 College Street for Coffee + Conversation between 9am – 10am to pick up your parking pass and follow us to designated tour parking.
Thanks to our sponsors including the National Endowment for the Arts, North Carolina Arts Council, UNC Asheville Office of the Provost, and Osher Center for Lifelong Learning