Draft Schedule – ReViewing Black Mountain College 6

Conference location - UNC Asheville's Reuter Center




2:15 – 3:30
PANEL - Room 206 - Moderator: Ellen Feig
Heather South: The Western Regional Archives' BMC Holdings
Annie Davey: Subjectivity, Irreverence and the troubling of an art school's myth
Fred Dewey: Carrying On from Olson & Black Mtn: A Pedagogy of Response & Responsibility

WRITING WORKSHOP - Room 207 - Jeff Davis: The Chance of Magic
This workshop will replicate in brief form the procedure Jonathan Williams developed when he wrote the section in in his long poem Mahler for Symphony No. 7 in B Minor. After steeping himself in Mahler's work, he availed himself of an "hallucinatory deck" of cards, and wrote on those cards the 110 words that were the "private and most meaningful words of [his]poetic vocabulary," and then, using different rules for each of the movements, he wrote the amazing poem!

We won't have much time for steeping, but we will have cards, and we'll look at the ways Jonathan used them, and discuss others. Participants should bring their own words.

3:45 - 5:00

PANEL - Room 207 - Moderator: Oliver Gloag
Ann Dunn: Albert Einstein, Writing, Science & BMC Philosophy
Belle Gironda: The Utmost One & the Utmost Other: Hilda Morley’s Kinetics
Eric Steineger: Hilda Morley: A Different Ekphrasis

PANEL - Room 206 - Moderator: Thomas Frank
Ana Luisa Valdeira: John Cage - the importance of being a lecturer
Claire Daigle: The abstract of what each of us bends the eye around
Ellen Feig: Without Punctuation: Stream of Consciousness, Black Mountain and the work of Fielding Dawson

PERFORMANCE: Ted Pope: New AntlerVelvet - Room 205

5:15 – 6:15 - Mannheimer Room
FEATURED SPEAKER: Mary Emma Harris: Black Mountain: Was It a Real College or Did We Just Make It Up Ourselves? (intro by J. Richard Gruber)

6:30 – 7:45
RECEPTION at the Black Mountain College Museum + Arts Center, 56 Broadway, downtown Asheville Brian Butler Gallery talk about the Dan Rice exhibition

8:00 – 9:30
POETRY READING at BMC Museum + Arts Center



9:00 – 10:30
PANEL - Room 206
The Anthology of Black Mountain College Poetry panel with editors Blake Hobby, Joseph Bathanti & Alex Porco

PANEL - Room 205 - Moderator: Peter Kusek
Anne-Grit Becker: Inverted Archeologies, or Olson thinking with Twombly
Eric Baden: glyphs graphs books editions; photography beyond black mountain
Patrick McHenry: Rethinking Academic Freedom as Method

FILM: Polis is This: Charles Olson and the Persistence of Place - Room 120

10:45 – 12:15
PANEL - Room 205 - Moderator: Jeffrey Gardiner
Jonathan Creasy: Charles Olson & Robert Creeley - Letters of Modern American Writing
Nick Boone: Love as Intersubjective ‘outstanding-standing-within’ in the Poems of Robert Creeley
Jeff Davis: Where I Is (Creeley's late books, Olson, Dorn)

PANEL - Room 206 - Moderator: David Peifer
Tim Morris: "No Audience at All": Robert Duncan’s Black Mountain Masques
Henrikus Joko Yulianto: Interfacing Poetics of Black Mountain College with Vision of Animality in Robert Creeley’s The Birds and The Dogs of Auckland and Robert Duncan’s A Little Language and The Temple of the Animals
Robert Ward: A beautiful situation”? James Leo Herlihy’s adventure at Black Mountain College

PERFORMANCE: Mercedes Teixido: Notes for Time and Place, an Improvisational Drawing Performance - Room 120

12:15 – 1:30 LUNCH ON YOUR OWN

1:30 – 3:00 
PANEL - Room 205 - Moderator: Blake Hobby
Julie Thomson: To Dick from Ray: Dick Higgins’s Something Else Press and Ray Johnson’s The Paper Snake
Julia Connor: Source in the Written Work of M.C. Richards
Alex Porco: "Beautiful Gerard Legro is Dead": Poetry, Collaboration, and Hoax

PANEL - Room 206 - Moderator: Grace Campbell
David Silver: Who fed the poets? The farm, food, and frog legs at Black Mountain College, 1949‐56
Amy Kirschke: Black Mountain College: The South’s Harsh Reality Illustrated
Christina Van Houten: “Sculpture is like farming”: Ruth Asawa, Feminism, and Postwar Critical Regionalism

PERFORMANCE - Outside Patio
Monika Gross & David Novak:
We reaving
A theatrical COMPOSITION BY FIELD of the co-respondence between / denise levertov + robert duncan

3:15 – 4:45
PANEL - Room 206 - Moderator: Brian Butler
Ryan Musgrave: 3 Mo(ve)ments in Pragmatist Aesthetics and U.S. Participatory Democracy: Addams’ Hull-House, Barnes’ Argyrol factory, & Black Mountain College
Jay Miller: Art and the Liberal Arts at Black Mountain College
Thomas Frank: “I Came Out of a Methodist Parsonage:” John Andrew Rice and the Dispositions of an Educator

PANEL - Room 205 - Moderator: Melissa Burchard
Jeffrey Gardiner: Furthering Perception. Projective Verse and the films of Stan Brakhage
Phillip Barron: Gloucester to Maximus: objectism and poetry of a place
Joseph Bathanti: Playing Catch with Fielding Dawson

PERFORMANCE: Christie Blizard and Mark McCoin: The Everlasting Light Bulb - Room 120

5:00 – 6:00 - Mannheimer Room
FEATURED SPEAKER: William Craig Rice: Back in Print: The Suppressed Autobiography of Black Mountain Founder John Andrew Rice (intro by Brian Butler)

6:00 – 7:00


7:00 – 8:30 - Mannheimer Room
KEYNOTE ADDRESS: Vincent Katz: The Difficulty of Pleasure: A Whole Life in a Single Work of Art (intro by UNCA Provost Joseph R. Urgo)



10:00 Coffee and conversation at Black Mountain College Museum + Arts Center, 56 Broadway, downtown Asheville

11:30 Carpools depart for Black Mountain College's Lake Eden Campus Tour to be led by Mary Emma Harris (main campus) and David Silver (farm & barns). $10/person

7:30pm A staged reading of RED, the Tony Award-winning play by John Logan about painter Mark Rothko and his assistant (loosely based on BMC artist Dan Rice) at NC Stage Company, 15 Stage Lane, downtown Asheville.             One performance only! Free, Donations encouraged to support the BMC Museum + Arts Center.

CONFERENCE SPONSORS: AVL Technologies, The Peter and Karen Klacsmann Charitable Fund, The North Carolina Arts Council, The UNC Asheville Howerton Distinguished Professor in the Humanities, The UNC Asheville Deans of Humanities, Natural Sciences, and Social Sciences, The Osher Lifelong Learning Institute, HENCO Reprographics, All Souls Pizza, Highland Brewing Company and Green Sage Café.

ReVIEWING Black Mountain College 6: The Writers of Black Mountain College

September 26-28, 2014
Asheville, North Carolina

Full conference – $70/$40 for BMCM+AC / OLLI members. Free for the UNC Asheville community. Full conference registration includes a year-long BMCM+AC membership.

Daily – $35/$20 for BMCM+AC / OLLI members
Keynote Address – $25/$10 for BMCM+AC / OLLI members

Conference Registration

Conference2014Logo4Draft Schedule

The 6th Annual ReVIEWING Black Mountain College conference will focus on the writers associated with Black Mountain College and their influence on the form and content of poetry, literature and non-fiction. From the groundbreaking ideas of Charles Olson and Robert Creeley in poetry, to the incisive and revealing non-fiction of Francine du Plessix Gray and Michael Rumaker, to the scholarly and thought-provoking work of Suzi Gablik and Charles Perrow, this thematic focus is rich with material. Presentations and performances are not limited to this theme and may address any topic related to Black Mountain College and its legacy. Hosted and sponsored by Black Mountain College Museum + Arts Center and the University of North Carolina Asheville

Keynote Speaker: Vincent Katz 
Vincent Katz is a poet, translator, critic, and curator. He is the author of eleven books of poetry, two books of translation, and his criticism has been published in numerous books, catalogues, and journals. He was awarded a Rome Prize Fellowship in Literature at the American Academy in Rome for 2001-2002 and has had residencies at the American Academy in Berlin and Yaddo. He was the editor of Black Mountain College: Experiment In Art, published by MIT Press in 2002 and reprinted in 2013 and curated an exhibition on Black Mountain College for the Reina Sofia Museum in Madrid in 2002. He is the author of The Complete Elegies Of Sextus Propertius (Princeton, 2004), which won the National Translation Award from the American Literary Translators Association, and Alcuni Telefonini, a collaboration with painter Francesco Clemente, published in 2008 by Granary Books. He teaches in the MFA Program in Art Criticism and Writing at the School of Visual Arts in New York, where he has created a course entitled "Investigating Interdisciplinarity." He has lectured extensively on poetry and visual art.

Featured Speaker: Mary Emma Harris 
Black Mountain: Was It a Real College or Did We Just Make It Up Ourselves?
Independent scholar Mary Emma Harris is author of The Arts at Black Mountain College and Chair and Director of the Black Mountain College Project, which preserves and documents the history and influence of BMC’s unique educational experiment, Harris has studied the college for over thirty years, first learning of it as an Art History student at UNC-Chapel Hill.

Featured Speaker: William Craig Rice
Back in Print: The Suppressed Autobiography of Black Mountain Founder John Andrew Rice 
William Craig Rice is the Director of the Division of Education Programs of the National Endowment for the Humanities. Before coming to NEH in 2007, Bill served as the 12th president of Shimer College, a college dedicated to the study of the great books, and taught writing seminars for many years at Harvard. He is the author of Public Discourse and Academic Inquiry (1996) and of essays, poems, and reviews in The Common Review, The New Criterion, The Satirist, and other periodicals. He is the grandson of John Andrew Rice, the founder of Black Mountain College. Rice collaborated with Mark Bauerlein in editing the republication of John Andrew Rice's suppressed autobiography, I Came Out of the Eighteenth Century (University of South Carolina Press, 2014).

In conjunction with the conference, the Black Mountain College Museum + Arts Center will present the exhibition Dan Rice at Black Mountain College: Painter Among the Poets exploring the work of this important, but often overlooked, Abstract Expressionist painter and BMC alumnus.

ReVIEWING Black Mountain College 5: Shaping Craft + Design


The Black Mountain College Museum + Arts Center announces ReVIEWING Black Mountain College 5: Shaping Craft + Design to be held October 11-13, 2013 at the Reuter Center on the UNC Asheville campus.

Keynote Speaker Videos


Christopher Benfey, Conference Keynote Speaker is Andrew W. Mellon Professor of English and Acting Dean of Faculty at Mount Holyoke, where he has taught since 1989. He was educated at the Putney School, Earlham College, Guilford College, and Harvard (from which he holds a Ph.D. in Comparative Literature). He has held fellowships from the Danforth Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the American Council of Learned Societies. In 2012, Benfey was elected as a member of the American Academy of Arts and Sciences, one of the nation's most prestigious honorary societies. A prolific journalist, Benfey served as the long-time art critic for the online magazine Slate, and is a frequent contributor to The New York Review of Books, The New York Times Book Review, and The New Republic, among many other publications. His family memoir, Red Brick, Black Mountain, White Clay; Reflections on Art, Family, and Survival, was published in the spring of 2012 by Penguin. The book explores strands of Benfey’s family involving brick-making, pottery traditions in North Carolina, and the pioneering educational institution of Black Mountain College. A well-known scholar of Emily Dickinson, Benfey is the author of four highly regarded books about the American Gilded Age. These include A Summer of Hummingbirds: Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade, which won both the 2009 Christian Gauss Award of Phi Beta Kappa and the Ambassador Book Award.He is also the author of The Double Life of Stephen Crane (1992); Degas in New Orleans (1997); and The Great Wave: Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan (2003). For the prestigious Library of America editions, Benfey has edited both The American Writings of Lafcadio Hearn and the complete poems of Stephen Crane. His edition of essays on the Iliad by Simone Weil and Rachel Bespaloff appeared as War and the Iliad (NYRB Classics, 2005). Benfey's poems have appeared in The New Yorker, the Paris Review, and Ploughshares.


Jenni Sorkin, Conference Featured Speaker is Assistant Professor of Contemporary Art History, University of California, Santa Barbara. She is currently completing a book manuscript, titled Live Form: Craft as Participation, which examines the confluence of gender, artistic labor, and the history of post-war ceramics from 1945 to 1975. She holds a PhD in the History of Art from Yale University and a BFA from The School of the Art Institute of Chicago. From 2010-2011, she was a Post-Doctoral Fellow at the Getty Research Institute in Los Angeles. In 2004, she was the recipient of the Art Journal Award, given by the College Art Association.

Ulrich Schwarz, Conference Featured Speaker is Professor of Visual Communication and Vice Dean at University of the Arts Berlin and a Managing Partner of Bertron Schwarz Frey, a design firm focused on Museography, Exhibition Design and Information Design. He is the author of publications such as "Space, Time, Characters" and "Museography and Exhibition Design" as well as contributions to "Information Graphics" and "Information Design Source Book".


Photo Credits:
Mary Caroline (MC) Richards, Alchemical Form, 1961, Stoneware. 22 x 6 x 6". Black Mountain College Museum + Arts Center Collection. Gift of the Estate of Jonathan Williams.
Lawrence Kocher, Bent Plywood Chair, 1942, Plywood and Screws, 25 x 18 x 24". Black Mountain College Museum + Arts Center Collection. Gift of Sandra Kocher.

BMC International Conference 2012

ReVIEWING Black Mountain College 4
September 28-30, 2012
Asheville, North Carolina

Thematic Focus: Looking Forward at Buckminster Fuller's Legacy

Co-sponsored by The Black Mountain College Museum + Arts Center, the Buckminster Fuller Institute, the University of North Carolina at Asheville and the UNC Asheville Howerton Distinguished Professor in the Humanities


Bios + Abstracts
Design Science Day
Looking Forward Exhibition
Buckminster Fuller Play at NC Stage
To Volunteer Click Here
Parking and Access
Conference Hotel Info
Press Release

Keynote Speaker:
Allegra Fuller Snyder, daughter of Buckminster Fuller; Director Emerita of the Buckminster Fuller Institute; Professor Emerita of Dance and Dance Ethnology, UCLA

Featured Speaker: Jason McLennan, CEO of the Cascadia Green Building Council; author of the Living Building Challenge, winner of the 2012 Buckminster Fuller Challenge

Featured Speaker: Joseph D. Clinton, President of Clinton International Design Consultants; Synergetics Collaborative; associate of Buckminster Fuller

Featured Speaker: Mel Chin, conceptual visual artist

Featured Speaker: David McConville, media artist; President of the Buckminster Fuller Institute

The Black Mountain College Museum + Arts Center, along with the Buckminster Fuller Institute and the University of North Carolina at Asheville, will present a 3-day conference exploring Buckminster Fuller's Legacy, including his forward-thinking work during the two summers he was at Black Mountain College (1948 & 1949), his innovative work in architecture, engineering and design science in the decades after BMC, and the work of those who are carrying his ideas forward into the future. In addition to panels and presentations, the conference will include an experiential Design Science Day held outdoors on the UNC Asheville campus on Saturday, September 29th.

Weekend cost for the conference:
$15 for BMC Museum + Arts Center members and students w/ID
$50 for non-members (includes BMC Museum + Arts Center membership)
Free for UNCA students, faculty & staff
Design Science Day - Free

In conjunction with the conference, the Black Mountain College Museum + Arts Center will collaborate with the Buckminster Fuller Institute to present an exhibition that explores the new generation of Fuller-inspired thinkers, artists and problem-solvers via The Buckminster Fuller Challenge, an award given annually by BFI to a project that addresses a planetary problem with an elegant, whole systems-based solution. The exhibition will also include some of Fuller's own inventive designs for solutions to the many needs he saw on "Spaceship Earth."